White or "blond" will often age to a pale yellow, especially if it spent time in lots of tobacco smoke. They came in Sunburst from 61 to 63, and in red, white (also called blond), or blue after that. After 69 the "II" designation was dropped and all Musicmasters after that are regular scale necksįrom 1956 to 1961 they came in Desert Sand, which often appears yellowed today (but look closely.an obvious yellow means it's been refinished and has lost 50% of its vintage value). There was a regular scale neck option, called the Musicmaster II, from 64 to 69. That short neck is for smaller people and is not very playable for most musicians. Most Musicmasters from 1956 - 1980 had a 3/4 neck, so that's something to check on. Okay, HSR, I'm not an expert but I do enjoy learning and here's what I found: What are the approximate values for '65 - '72 Musicmasters (its most likely one of those years), Looked to be in all around good shape, it was yellow in color with a black pickguard. The guy at the pawn shop claimed it to be a late 60s - early 70s. I reckon that the often unfairly derided ‘silverface’ amps will soon gain the respect they deserve.I forgot to get the serial number to date-check it, but it appeared to be a CBS era MM. How long they will stay that way is unknown. Sound-wise, it exudes pure vintage Fender DNA – what more could you ask for? Compared to ‘tweed’ or ‘blackface’ Fenders, relatively overlooked hidden treasures like this sweet Fender Musicmaster Bass ‘silverface’ amp are currently both plentiful and good value… at the moment. This is a later model with the more commonly available 6V6 power tubes and its original Fender-branded CTS 12 speaker. Many MMBs have been modified due to the early ones using unusual 6AQ5 power valves. Although often difficult to date vintage amps, this particular one was made in 1979 or possibly 1980, given the features, serial number and the available codes. Finding good quality all-original ones is not impossible but requires patience and it is worth the wait. Like single pickup guitars (including the Fender Musicmaster), there is a certain purity to keeping things simple. For those familiar with CRAVE Guitars’ philosophy, it will be no surprise that the ‘less is more’ principle applies to amps like this. The classic behemoths are great too but there is something really cool about the runts of the family, especially for home use. Right up front, I am a champion (sic!) for the ‘baby’ Fender amps and, unlike many traditionalists, I have a soft spot for the post-Leo ‘silverface’ models. Other benefits include not taking up huge amounts of real estate and being easy on your spinal column, as well as being useful to have for occasional bass guitar use! While diminutive Fender amps are often sneered at by amp snobs, this type of tube combo is now seeing a resurgence of popularity by boutique amp builders, seeking the elusive essence of simple but toneful vintage amps, especially for recording and other low volume uses. Just the basics. The MMB was sold by Fender as a beginner’s bass amp but, like many other Fender bass amps (including the legendary Bassman), has been appropriated for use by (blues) guitarists for their great tone. Controls could hardly be simpler, just volume, tone and of/off switch. These fantastic little 12 watt, 1×12” valve combo amps adhere to the familiar Fender aesthetic with an open back cabinet, covered in black tolex, silver grill cloth, ‘Made in USA’ raised chrome logo, the silver control panel with blue lettering and the iconic red jewel light. Original CBS-era Fender ‘silverface’ Musicmaster Bass amps (often shortened to MMB) were manufactured only between 19.
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